Rootless Theatre, Teatro del desarraigo

"Bearing a new scenic discipline called Teatro del desarraigo, Mariam Budia has successfully created a world inspired by its artistic originality as well as the Japanese theatrical tradition. La mujer Sakura will equal Madame Butterfly by Giacomo Puccini in its oriental exoticism and in its musical enchantment. Perhaps it will surpass it with its ambitious composition, philosophical message and precise rendering of the Japanese people's way of thinking and talking".

Noritaka FUKUSHIMA. Preámbulo a La mujer Sakura, In Teatro del desarraigo (2) Madrid, 2006.

Comprar en El Corte Inglés
Edición agotada

"The clear symbolist reminiscences offered by Cancán del Moulin find an efficient complement in the plastic nature of the work. It is based on a series of very brilliant images; precisely detailed by a text that is particularly rich in didascalias. The author, through these didascalias, conveys a scenic vision that is as conscious as it is complete. With them, Mariam Budia reveals a sort of creative omniscience that translates into effective handling of the characters who make up her imaginary universe. Their movements and attitudes as a whole achieve true choreography; it goes well with the intentionally symbolic and fully artistic nature that underlies the play's configuration".

Manuel PÉREZ. Concepto de desarraigo y polimorfismo estético, in e_Bu@h UAH Digital Library, Alcalá de Henares, Madrid, 2006.



Mariam Budia